Special thanks to Simon Davies aka dR-Green (on Energetic Forum) for creating a simple, user-friendly calculator on the new RPX website. Everyone can instantly see what audio frequency needs to be mixed with the 3.1 MHz carrier in order to create sidebands that are rich in harmonics for ANY frequency they want.
Simon has been replicating much of Tesla and Dollard’s work over the years and his calculators are accurate so if you want to know how to calculate windings and other parameters for your experiments, he has both free and paid calculators available at: Tesla Scientific
Here’s an example of how you can use this calculator and the RPX as a 432 Hz harmonic generator, which nobody else is doing.
You take the carrier of 3.1 Mhz and divide it by 432 = 7175.93
Round up or down to the nearest whole number = 7176
Multiply your desired frequency of 432 x 7176 the multiplier = 3.100032 Mhz sideband that will be created
The difference between the sideband and carrier is 32 Hz
Therefore, if you use an external signal generator with the RPX and you input a sinewave limited to 2 volts with a frequency of 32 Hz, it will create a sideband of 3.100032 MHz, which is a multiple of 432 Hz and it will have a whole lot of harmonics of that frequency.
This can obviously be done with any desired frequency – why not use Rife’s brilliant method to create frequencies for your frequency needs? Everyone else is just focusing on the fundamental frequency but are completely ignoring the fact that the real power comes from all the harmonics.
Go to the calculator here, enter the desired frequency and hit return. You’ll instantly get the audio frequency needed to be input into the RPX to do the above: https://emediapress.com/rpx3#resources
It’s very exciting to finally release version 3.0 of the most authentic Rife Frequency generator manufactured anywhere in the world. The link at the end of this sentence titled “Rife Machine” takes you to the Vril.io RPX page that explains why that is true – scroll back up to this link but read this page first: Rife Machine
Below is a sneak peak at the Bedini RPX 3.1MHz Sideband Generator v3.0 – “Rife Machine”. If you’re not familiar with what a sideband generator is, the above link will take you to a page that explains it. Any machine that correctly produces “Rife Frequencies” the way that Rife and his assistant Philip Hoyland did must be done with “sidebands” or it is not a Rife Machine – this is an indisputable, historically-documented fact.
RPX stands for Rife, Priore and an X-Factor but it really should stand for Rife, Priore and Bedini because what his genius incorporated into the RPX is in fact the X-Factor. When we release the v3.0, you’ll learn why the RPX is far superior to any other device even remotely similar and there is only one that is close that I know of and that John Bedini truly was the world’s leading authority on what Rife was doing.
DISREGARD THIS BLOG POST, THE RPX 3.0 IS ALREADY AVAILABLE FOR PURCHASE – GO HERE FOR THE NEW WEBPAGE: RIFE MACHINE
First, here’s a picture of the original unit – it worked perfect but was a bit cumbersome since you have to connect an external signal generator and external battery but this is how John Bedini originally released it late 2014 or early 2015. Below, you’ll see the obvious point to the new RPX 3.0 and why my goal was to make the most user friendly “Rife Machine” ever developed and it has been successfully accomplished.
Below you can see the prototype (no logo or labels for the knobs, switches or jacks). The signal generator inside was designed by Paul Babcock so this couldn’t have happened without his brilliant help. Others were kind enough to offer their services to design one in the past but at that time, the cost was prohibitive, plus, I wanted to stay away from digital as much as possible because digital is fake and analog is of the real world. THE SIGNAL GENERATOR IS 100% ANALOG. Both Rife and Bedini would be thrilled about that!
The LEFT KNOB controls the TIME of the sweep. Specifics will be forthcoming.
The SWITCH between the knobs in the down position leaves it in WIDEBAND MODE so it sweeps from close to 0Hz up to 150kHz to create sidebands that are all even multiples of EVERY SINGLE Rife Frequency automatically without having to. Rife went to 40kHz because that was the upper range of a typical audio signal generator. Why go to 150kHz? It’s one of the things that makes this superior to any sideband generator that creates the Rife Frequencies and I’ll show the math and demonstrations for this so you understand what this means and why it is important. What did Bedini know that Rife and Hoyland possibly didn’t? You’ll find out soon on the page where these units will be available for pre-order on February 17th, 2022.
The RIGHT KNOB controls the narrow band sweep. When the switch is in the up position, it activates the narrow band mode. I’m asked all the time about focusing on certain frequencies. It’s always a bad idea to use any single static frequency as a “wobble” or variation in the frequency was always what was found to be superior. So within the 150kHz range, the narrow band will focus on a 25-30kHz range. If the knob is all the counterclockwise, it will sweep from almost 0Hz up to about 25kHz and as you rotate the dial clockwise, it will keep a 25-30kHz sweep width but higher up in the 150kHz range. There will be a chart printed on top of the case that shows you what frequency range you are at based on the number on the dial, which will be printed on the front panel.
Scroll down to the top of the next picture for an explanation of the rest of the features on the front panel – I just want to break up the text a bit to make it easier to read.
The switch at the top next to the gold RCA jack allows you to use the internal signal generator, which is all anyone will need 99.99% of the time. In the down position, you will be using the internal signal generator and the two knobs and switch to the left. But for those of you who are more technically oriented, you can move the switch in the up position and you can then plug in your own signal generator into that RCA jack. ONLY USE SINE WAVE AND LIMIT THE OUTPUT VOLTAGE OF YOUR SIGNAL GENERATOR TO 2 VOLTS MAX or you can damage the unit. You will able to narrow the sweep to perhaps a few kilocycles on either side of a target frequency to get more specific, extend sweep times beyond what is possible with the internal signal generator or even use frequencies that will produce sidebands that are even multiples of frequencies like 432Hz or any other frequency set of numbers using this method. We’ll teach you how to calculate all that with videos that will be available.
The RED and BLACK banana jacks at the bottom are the output jacks. We supply a cable that you can plug into that and on the other end are alligator clips. You only have to supply your own electrodes. Inexpensive copper tubing from a hardware store than you can get for a few dollars per foot is all you need. Two pieces about 4″ long and maybe 3/8 to 1/2″ diameter is sufficient. Conductive gel is recommended and this one is the only one I could easily find that is free of parabens – this is our Amazon affiliate link: Conductive Gel
If you’re mechanically inclined, we’d recommend cutting off the alligator clips and soldering the wires to the tubes or adding ring terminals and screwing them to the tubes. Later on, we may recommend a company where you can get some electrodes.
The top right LED light is a RED power light that shows the RPX power is turned on (switch is on the back).
The LED directly under that shows when the PUMPWAVE is on and it will also be RED – just the prototype has the blue light and its just too bright. The switch underneath that can be switched to turn the Pumpwave off and on. This is another one John Bedini’s genius innovations. With the switch off, you can still get the classic Rife Frequencies with the 3.1MHz carrier and sidebands. With the switch on, you get the low frequency carrier (another carrier) that puts the 3.1MHz carrier and sidebands on it and that Pumpwave is a 8-9Hz square wave that takes electrode delivery to another level. Literally, there is nothing that compares to the Bedini 3.1MHz Sideband Generator v3.0.
Above the next picture is a description of what is on the back of the RPX.
The jack and switch below will be flush with the panel on the final units. The jack on the left is for a 16.8 volt 1 amp, regulated lithium-ion charger. The red light on the charger will be on while it is charging and when it is finished charging, the green light will come on. You will not be able to use the RPX while the battery is charging – plugging in the charger will disconnect the battery from the circuit. Please charge the battery fully before using the RPX for the first time. The average use time the RPX is on is about 15 to 30 minutes so you will get a good number of uses before you have to charge the battery again. The switch on the right is the off/on switch to turn on the power. In the down position, it will be off and in the up position, it will be on.
I’ll make a video walk thru and will put that on the RPX page when pre-orders are open on February 17th along with pricing, etc.
The RPX v2.0 model sold for $425 itself (required you to provide your own battery and signal generator) or $650 for the whole combo kit that included everything except the electrodes. My goal was to make this new RPX 3.0 available for as close to the RPX v2.0 price as possible. The RPX v3.0 will cost more because my production costs are higher. The first 50 (most likely 50) units for pre-sale will be at a super low price compared to what the retail price should be.
Keep in mind that the next closest machine that even comes close to a “Rife Machine” retails for over $1800. That means that since this is a superior technology and it is a super specialty item not available anywhere else that the RPX v3.0 should have a retail price of around $2000 to $2500 (but it won’t be) and it would be worth ever penny comparing value vs value in terms of sale price.
Make sure to order as soon as the pre-order page opens up on February 17th because you’ll be pleasantly surprised with our pricing! You’ll also be earning points on emediapress.com that is good for credit toward digital downloads. More to come…
Remember to go to this page to learn more in depth about the truth about what a Rife Rife machine is and what it isn’t’: Rife Machine
Here is a video showing the new signal generator that will be included in the Bedini RPX Combo.
If you have a signal generator similar to this, the ONLY way you can have it replicate what Rife was doing is by connecting it to a Bedini RPX – there is no other way around it.
If you already have one of these signal generators, you can purchase the Bedini RPX Sideband Generator all by itself.
We’re also going to be coming out with some other devices that can be plugged into the SAME battery and signal generator so you don’t have to repurchase them. We’ll give details soon!
Go here to order the Bedini RPX Sideband Generator Combo. Sideband Generator
Here are 2 video tributes to John Bedini where he discusses Rife’s technology on the Jeff Rense show. Thanks to Davy Oneness for creating this video tribute!
The latest update on John Bedini’s knowledge regarding this technology is available at http://bedinirpxbook.com
We want to share the top 3 picks out of all the entries so you can see the wide range of creativity and talent that went into them.
The winner of the contest is Simon D. (dR_Green) of Wales – here is his entry:
The next runner ups are Mike K. (Washington state) below:
and Andy S. ( Macau) below:
Simon will receive a free Bedini RPX 3.1MHz Sideband Generator unit and Mike and Andy will each receive any two digital download packages of their choice.
WIN A RPX SIDEBAND GENERATOR BY DESIGNING A BRAND NEW LABEL FOR IT!
Here is what it looks like right now:
We are going to have the label printed right onto the black PVC case instead of using a sticker. We are leaning towards a black background, but we want your ideas!
Here are the graphics guidelines:
Printing: Offers full-color printing on most surfaces. In the unlikely event a surface is not eligible for full-color printing, they can pad print. Vector based artwork is required for printing. This includes, but is not limited to, Adobe Illustrator, Corel Draw, and .pdf or .eps files.
Ink Colors: Colors will be printed per your electronic artwork file. Artwork should be designed for the CMYK color space. If a PMS color value is requested, the CMYK equivalent will be printed. There may be a color shift in the process depending on the specific spot color. Black, red, and white ink is available for keypad printing.
The dimensions for the image that you submit must be 3.875 inches wide and 2 inches tall. It must be 1200 DPI. Of course if it is vectorized, we can adjust the dimensions slightly if needed. EPS is our primary choice for the format.
The primary text we want on the label is: RPX
Secondarily, it can also have: 3.1 Mhz Sideband Generator
You can decide if the electrode and pumpwave, battery input and audio input text is necessary – or if there is a way for you to make it look good.
We are accepting submissions in 1, 2 or 3 colors or even full color. If you can submit your design idea in all 4 of those, that is the most helpful.
If you use some kind of “frequency” or other background image from i-stock photo for example and your submission wins, we will go purchase the license fee for the graphic – just keep the link of what background image you used.
You can look at this video to get an idea of what the waveform looks like with the sidebands in case you want to design your own waveform based on the real waveform:
If your submissions wins, the copyright will be owned by A & P Electronic Media as this is to be considered a “work for hire” and will be free of any royalties.
If the graphic is larger than 10mb, please upload it to Dropbox and send us the link – or email it directly if it is small enough to: info@ (put the domain name for this website).
The deadline for submissions is February 7th, this coming Tuesday. This is only a few days because we hope to have the new label on the next production run of units.
Last night, I reread John Bedini’s RPX book and it is astounding how simple he keeps boiling this all down to. What is even more astounding is how 99% of all the devices sold online claiming to be Rife machines are all junk and do not work and have nothing to do with Rife at all.
It is important to always understand the lineage of where your information is coming from and John was intimately connected to Joseph Crane – Rife’s own assistant. Although Crane was a charlatan, he didn’t fool John and John figured out what was really going on with the help of a few other brilliant men who were involved with the project.
The history of all of this is laid out as well as technical details on HOW the machine works and once you understand it and what John’s innovation contributed to this understanding, you can see why the plasma tubes are NOT even necessary.
Having known John for almost 20 years and having spent countless hours at his various shops over those years, it was always amazing to watch how he keeps making any particular circuit simpler and simpler and simpler. That is exactly what he has done with his Sideband Generator circuit, which actually has its origins in his work on the Rife technology starting decades ago.
I personally have no background in radio frequency circuits, sidebands, etc… however, between John’s book and 3.6 hours of video that comes with the book, the operating principles and how it is built is easily understood.
Some people think it is all about audio frequencies that are common to countless “Rife Frequency” lists that are available everywhere you look. They also think they can just get some function generator and output those frequencies to electrodes and that is supposed to do something – big mistake. They also think you need some high power plasma tube to transmit the frequencies and although that works, it is completely unnecessary.
For the audio frequencies, it is important to understand what you have to do with them in order for them to be significant. And it is also important to understand their mathematical relationship with a fundamental frequency that is necessary to produce the REAL Rife frequencies. Without this knowledge, all those audio Rife Frequency lists are completely useless.
Another very important fact to understand is the method of DELIVERY of the frequencies. Once you understand Priore’s work, then you understand what John has simplified while making the plasma tubes obsolete and what used to fill up a 4 story building can now be held in the palm of your hand, literally.
John lays out some simple block diagrams in the Bedini RPX book as well as some very specific schematics that are COMPLETE that allow you to build an analog Sideband Generator that outputs the proper Rife Frequencies along with a low power delivery method that doesn’t require a tube. And the whole circuit can be made with common off-the-shelf components available at Mouser, Digikey, etc…
If you’re an electrical engineer and also have experience with audio circuits, it will be more than obvious how to make multiple variations of the same circuit that will accomplish the same thing.
This book shows what to look for on a scope as well as a frequency analyzer with a tracking option so you can see that all the Rife Frequencies ARE indeed being hit like a magic bullet. And with the proper sweeping input from an audio generator, it will hit ALL the frequencies further making it obsolete to program in any particular frequency.
Please understand this information is for experimental use only with no claims given, but it is THE most important disclosure of Rife’s technology that has ever been given to the public.
We’re giving you a free digital book or video from A & P Electronic Media with each and every purchase so make sure to let us know which one you want.
Get your copy of John Bedini’s RPX book/dvd set here: Bedini RPX